1.

“談到精微夜寥闃，秋風(fēng)時(shí)下竹窗前?！?/span>

“無(wú)夕不談?wù)劜凰?，看薪成火火成灰。?/span>

“遠(yuǎn)聞佳士輒心許，老見(jiàn)異書(shū)猶眼明。”

“不見(jiàn)故人彌有情，一見(jiàn)故人心眼明?！?/span>

“轉(zhuǎn)走東南復(fù)帝城，故人相見(jiàn)眼偏明?！?/span>

“書(shū)當(dāng)快意讀易盡，客有可人期不來(lái)。”

“卻愁說(shuō)到無(wú)言處，不信人間有古今。”

“文章或論到淵奧，輕重曾不遺毫釐。”

“問(wèn)以辨謔每絕倒，豈顧明日無(wú)晨炊?！?/span>

“談兵究弊又何益，萬(wàn)口不謂儒者知。”

“露才揚(yáng)己古來(lái)惡，卷舌噤口南方馳。”

“世非文字將安托，身與兒孫竟孰親?！?/span>

“但把雞豚燕同社，莫將鵝鴨惱比鄰?！?/span>

“一語(yǔ)解紛吾豈敢，祗應(yīng)行道亦酸辛?！?/span>

“殺馬毀車從此逝，子來(lái)何處問(wèn)行藏。”

“十年作吏仍糊口，兩地爲(wèi)鄰闕寄聲?！?/span>

“管城子無(wú)食肉相，孔方兄有絕交書(shū)?！?/span>

“懶對(duì)俗人常答颯，厭聞時(shí)事但盧胡?！?/span>

“死後是非誰(shuí)管得，滿村聽(tīng)說(shuō)蔡中郎?！?/span>

“詩(shī)人猛士雜龍虎，楚舞吳歌亂鵝鴨。”

“生擬入山隨李廣，死當(dāng)穿冢近要離?！?/span>

“但知斬馬憑孤劍，豈爲(wèi)推車避太行。”

“得者折腰猶下列，失之垂翅合南翔?！?/span>

“馬思邊草拳毛動(dòng)，鵰盼青云倦眼開(kāi)?！?/span>

“九萬(wàn)里中鯤自化，一千年外鶴仍歸?！?/span>

“大兒汾陽(yáng)中令君，小兒天臺(tái)坐忘身。生平不識(shí)高將軍，手污吾足乃敢嗔?！?/span>

“平生四海蘇太史，酒澆不下胸崔巍?！?/span>

“經(jīng)行東坡眠食地，拂拭寶墨生楚愴?！?/span>

“閉門(mén)覓句陳無(wú)己，對(duì)客揮毫秦少游。正字不知溫飽未，西風(fēng)吹淚古藤州?！?/span>

“桃李春風(fēng)一杯酒，江湖夜雨十年燈。持家但有四立壁，治病不蘄三折肱?！?/span>

“別期漸近不堪聞，風(fēng)雨蕭蕭已斷魂。猶勝相逢不相識(shí)，形容變盡語(yǔ)音存?！?/span>

“千金估客倡樓醉，一笛牧童牛背歌。”

“路人皆言君未遠(yuǎn)，騎馬少年清且婉?！?/span>

“張侯哦詩(shī)松韻寒，六月火雲(yún)蒸肉山?！?/span>

2.

“我常愛(ài)君此默坐，勝見(jiàn)無(wú)限尋常人?！?/span>

“每至春歸有遺恨，典刑猶在酒杯中?！?/span>

“自從兩蜀年年見(jiàn)，今日欄邊似故人。”

“花如解笑還多事，石不能言最可人?！?/span>

“佳人如桃李，胡蝶入衫袖?！?/span>

“春風(fēng)取花去，酬我以清陰?！?/span>

“桃花不解飲，向我如情親。”

“月既不解飲，影徒隨我身?！?/span>

“獨(dú)言無(wú)予和，揮杯勸孤影?！?/span>

“盥濯息檐下，斗酒散襟顏。”

“唯影與月光，舉止無(wú)猜毀?！?/span>

“月與高人本有期，掛簷低戶映蛾眉?！?/span>

“杏花飛簾散餘春，明月入戶尋幽人。褰衣步月踏花影，炯如流水涵青蘋(píng)?！?/span>

“舟人水鳥(niǎo)兩同夢(mèng)，大魚(yú)驚竄如奔狐。夜深人物不相管，我獨(dú)形影相娛嬉。暗潮生渚弔寒蚓，落月掛柳看懸蛛?！?/span>

“青山偃蹇如高人，當(dāng)時(shí)不肯入官府。高人自與山有素，不待招邀滿庭戶。”

“青山如君子，悅我非姿媚。相逢一開(kāi)顏，便有論交意。”

“我見(jiàn)青山多嫵媚，料青山見(jiàn)我應(yīng)如是?！?/span>

“縈回水抱中和氣，平遠(yuǎn)山如醖藉人。”

“青山有似少年子，一夕變盡滄浪髭?！?/span>

“千家山郭靜朝暉，日日江樓坐翠微?！?/span>

“茅簷相對(duì)坐終日，一鳥(niǎo)不鳴山更幽。”

“若對(duì)青山談世事，當(dāng)須舉白便浮君?！?/span>

“黃州鼓角亦情多，送我南來(lái)不辭遠(yuǎn)?！?/span>

“風(fēng)流耆舊消磨盡，只有青山對(duì)病翁?！?nbsp;

“綠楊白鷺俱自得，近水遠(yuǎn)山皆有情?！?/span>

“年年花月無(wú)閑日，處處山川怕見(jiàn)君?！?/span>

“水如一匹練，此地即平天，耐可乘明月，看花上酒船。”

“秋浦多白猿，超騰若飛雪。牽引條上兒，飲弄水中月?！?/span>

“對(duì)酒不覺(jué)暝，落花盈我衣。醉起步溪月，鳥(niǎo)還人亦稀?！?/span>

3.

“將飛更作迴風(fēng)舞，已落猶成半面妝?！?/span>

“一春情緒空撩亂，不是天生穩(wěn)重花?！?/span>

“野鳧眠岸有閑意，老樹(shù)著花無(wú)醜枝。”

“朱唇得酒暈生臉，翠袖卷紗紅映肉?！?/span>

“雨中有淚亦悽愴，月下無(wú)人更清淑?！?/span>

“只恐夜深花睡去，高燒銀燭照紅粧。”

“露濕何郎試湯餅，日烘荀令炷爐香?！?/span>

“平生為愛(ài)此香濃，仰面常迎落架風(fēng)。”

“含香體素欲傾城，山礬是弟梅是兄?！?/span>

“借水開(kāi)花自一奇，水沉為骨玉為肌?！?/span>

“蹣跚不稱三公位，偃蹇空妨數(shù)畝庭?！?/span>

“老松閱世臥雲(yún)壑，挽著滄江無(wú)萬(wàn)牛?！?/span>

“試問(wèn)春風(fēng)何處好，辛夷如雪柘岡西?！?/span>

“無(wú)情有恨何人見(jiàn)，月曉風(fēng)清欲墮時(shí)”

“無(wú)情有恨何人見(jiàn)，露壓煙啼千萬(wàn)枝?！?/span>

“斫取清光寫(xiě)楚辭，膩香春粉黑離離。”

“斑斑墮籜開(kāi)新筠，粉光璀璨香氛氳?！?/span>

“我常愛(ài)君此默坐，勝見(jiàn)無(wú)限尋常人?！?/span>

“內(nèi)史舊居經(jīng)幾代，此君高節(jié)似當(dāng)時(shí)。”

“雖慚老圃秋容淡，且看黃花晚節(jié)香?！?/span>

“毫端運(yùn)秀臨霜寫(xiě)，口角噙香對(duì)月吟?！?/span>

“孤標(biāo)傲世偕誰(shuí)隱，一樣花開(kāi)為底遲?！?/span>

“只恐梅花明日老，夜瓶相對(duì)不知寒?！?/span>

“疏影橫斜水清淺，暗香浮動(dòng)月黃昏?！?/span>

“雪後園林纔半樹(shù)，水邊籬落忽橫枝?！?/span>

“清香莫把酴醿比，只欠溪邊月下杯。”

“從教變白能爲(wèi)黑，桃李依然是僕奴?！?/span>

“意足不求顏色似，前身相馬九方皐?！?/span>

“晴窗畫(huà)出橫斜影，絕勝前村夜雪時(shí)。”

“湘妃危立凍蛟脊，海月冷掛珊瑚枝。醜怪驚人能嫵媚，斷魂只有曉寒知?！?/span>

“百千年蘚著枯樹(shù)，三兩點(diǎn)春供老枝。絕壁笛聲那得到，只愁斜日凍蜂知?！?/span>

4.

“樹(shù)老垂纓亂，祠荒向水開(kāi)。偶人經(jīng)雨踣，古屋爲(wèi)風(fēng)催。野鳥(niǎo)棲塵坐，漁郎奠竹杯?！?/span>

“野艇鳥(niǎo)翹惟斷纜，枯桑水齧只危根。”

“寒雞得食自呼伴，老叟無(wú)衣猶抱孫?！?/span>

“淮闊洲多忽有村，棘籬疏敗謾爲(wèi)門(mén)?！?/span>

“繞城假得老病馬，一步一跛令人疲?！?/span>

“石勢(shì)向人森劍戟，灘光和月瀉瓊瑰?！?/span>

“太湖萬(wàn)穴古山骨，共結(jié)峰嵐勢(shì)不孤。”

“當(dāng)流赤足踏澗石，水聲激激風(fēng)吹衣?！?/span>

“山石犖確行徑微，黃昏到寺蝙蝠飛?！?/span>

“升堂坐階新雨足，芭蕉葉大梔子肥?！?/span>

“莫嫌犖確坡頭路，自愛(ài)鏗然曳杖聲?！?/span>

“斷墻著雨蝸成字，老屋無(wú)僧燕作家?！?/span>

“驚風(fēng)亂飐芙蓉水，密雨斜侵薜荔墻?！?/span>

“只從昨夜十分滿，漸覺(jué)冰輪出海遲?！?/span>

“自視直欲見(jiàn)筋脈，無(wú)所逃避魚(yú)龍憂?！?/span>

“我馬臥我庭，帖帖垂頸耳。霜花滿黑鬣，安欲致千里。”

“我僕寢我?guī)?，相背肖兩己。夜深忽驚魘，呼若中流矢。”

“山川與城郭，漠漠同一形。市人與鴉鵲，浩浩同一聲?！?/span>

“缺月來(lái)照屋角時(shí)，西家狗吠東家疑。夜深精靈鬼物動(dòng)，僁窣古莽無(wú)風(fēng)吹?！?/span>

“山鬼水怪著薜荔，天祿辟邪眠莓苔。鉤簾坐對(duì)心語(yǔ)口，曾見(jiàn)漢唐池館來(lái)?！?/span>

“織女機(jī)絲虛夜月，石鯨鱗甲動(dòng)秋風(fēng)。”

“草如茵，松如蓋，風(fēng)為裳，水為珮。”

“一夕小敷山下夢(mèng)，水如環(huán)佩月如襟?！?/span>

“以雲(yún)爲(wèi)衣月?tīng)?wèi)褚，乘光服暗無(wú)留阻?！?/span>

“畫(huà)圖省識(shí)春風(fēng)面，環(huán)佩空歸夜月魂?！?/span>

“摘花不插髪，採(cǎi)柏動(dòng)盈掬?！?/span>

“天寒翠袖薄，日暮倚修竹?！?/span>

“魂來(lái)?xiàng)髁智?，魂返關(guān)塞黑?！?/span>

“出門(mén)搔白首，若負(fù)平生志?！?/span>

5.

“貓來(lái)戲捉穿花蝶，雀下偷銜卷葉蟲(chóng)?！?/span>

“鶯來(lái)占柳爲(wèi)歌院，蝶去尋花作醉鄉(xiāng)?！?/span>

“風(fēng)定小軒無(wú)落葉，青蟲(chóng)相對(duì)吐秋絲?！?/span>

“蜜蜂兩股大如繭，應(yīng)是前山花已開(kāi)?！?/span>

“風(fēng)翻蛛網(wǎng)開(kāi)三面，雷動(dòng)蜂窠趁兩衙?！?/span>

“蜜官金翼使，花賊玉腰奴。”

“鶴閑臨水久，蜂懶得花疏。”

“洗硯魚(yú)吞墨，烹茶鶴避煙?！?/span>

“春去不窺園，黃鸝頗三請(qǐng)?！?/span>

“豆肥草軟馬亦便，嚼美只如蠶上簇?！?/span>

“近人積水無(wú)鷗鷺，時(shí)有歸牛浮鼻過(guò)?！?/span>

“嶺上晴雲(yún)披絮帽，樹(shù)頭初日掛銅鉦?！?/span>

“雲(yún)容山意商量雪，柳眼桃腮領(lǐng)略春?！?/span>

“高柳下來(lái)垂處綠，小桃上去末梢紅。”

“重簾不捲留香久，古硯微凹聚墨多?！?/span>

“笙歌叢裏抽身出，雲(yún)水光中洗眼來(lái)?！?/span>

“風(fēng)標(biāo)公子鷺得意，跋扈將軍風(fēng)斂威?！?/span>

“水遠(yuǎn)山長(zhǎng)雙屬玉，身閑心苦一舂鋤?！?/span>

“水枕能令山俯仰，風(fēng)船解與月徘徊。”

“從闕到州堪羨處，船中坐臥看山行?！?/span>

“昨日焚香謁聲母，青山鞠躬如負(fù)弩。”

“春水凈於僧眼碧，晚山濃似佛頭青?！?/span>

“勞君樹(shù)上叮嚀語(yǔ)，似勸饑人食肉糜?！?/span>

“終日憂兄行不得，鷓鴣應(yīng)是鼻亭公。”

“若教漁父頭無(wú)笠，只著蓑衣便是猿?！?/span>

“七百支郎夜忍飢，木魚(yú)閉口等君歸。還山大眾空歡喜，只有誠(chéng)齋兩首詩(shī)。”

“三江五湖歷已盡，勢(shì)合平夷反齟齬。上水歌呼下水愁，北船縈絆南船去。寄言南船莫雄豪，萬(wàn)事低昂如桔槹。我當(dāng)賣(mài)劍買(mǎi)牲牢，再掃靈宇陳肩尻。黃金壺樽沃香醪，神喜借以南風(fēng)高。揚(yáng)帆拍手笑爾曹，不知流落何江皋?；闹藜帕嚷?tīng)怒號(hào)?！?/span>

6.

“風(fēng)欹烏帽送輕寒，雨點(diǎn)春衫作碎斑。”

“小市張燈歸意動(dòng)，輕衫當(dāng)戶晚風(fēng)長(zhǎng)?！?/span>

“酒邊蠻舞花低帽，夢(mèng)裏胡笳雪沒(méi)韉?！?/span>

“風(fēng)回共作婆娑舞，天教能開(kāi)頃刻花?！?/span>

“邀歡任落風(fēng)前帽，促飲爭(zhēng)吹酒上花。”

“羞將短髪還吹帽，笑倩旁人爲(wèi)正冠?！?/span>

“春寒不定斑斑雨，宿醉難禁灎灎杯?！?/span>

“蕭疏秋樹(shù)色，老大故人心?！?/span>

“霜林落後山爭(zhēng)出，野菊開(kāi)時(shí)酒正濃?！?/span>

“豚柵雞塒晻靄間，暮林搖落獻(xiàn)南山?！?/span>

“平郊走馬斜陽(yáng)裏，破屋傳杯積水邊。”

“平野無(wú)山遮落日，西窗紅到月來(lái)時(shí)?！?/span>

“溪態(tài)澄明初畢雨，日痕清淡不成霞?！?/span>

“疾風(fēng)回雨水明霞，沙步叢祠欲暮鴉?！?/span>

“寒樹(shù)依微遠(yuǎn)天外，夕陽(yáng)明滅亂流中?！?/span>

“微風(fēng)萬(wàn)頃靴紋細(xì)，斷霞半空魚(yú)尾赤。”

“春疇雨過(guò)羅紈膩，麥隴風(fēng)來(lái)餅餌香?！?/span>

“水隔淡煙修竹寺，路經(jīng)疏雨落花村?！?/span>

“細(xì)水浮花歸別浦，斷雲(yún)含雨入孤村?！?/span>

“浮萍破處見(jiàn)山影，小艇歸時(shí)聞草聲?！?/span>

“孤嶼池痕春漲滿，小闌花韻午晴初?！?/span>

“晚泊孤舟古祠下，滿川風(fēng)雨看潮生。”

“江水驟生連夜雨，松聲吹下半天風(fēng)?！?/span>

“松月生夜涼，風(fēng)泉滿清聽(tīng)?！?/span>

“荷風(fēng)送香氣，竹露滴清響?！?/span>

“微雲(yún)淡河漢，疏雨滴梧桐?！?/span>

“倚杖柴門(mén)外，臨風(fēng)聽(tīng)暮蟬?！?/span>

“夕陽(yáng)度西嶺，群壑倏已暝?！?/span>

“山光忽西落，池月漸東上。”

“斜光照墟落，窮巷牛羊歸。”

“渡頭餘落日，墟裏上孤煙。”

7.

“草木相連南服內(nèi)，江湖異態(tài)闌干前?！?/span>

“晚木聲酣洞庭野，晴天影抱岳陽(yáng)樓?！?/span>

“落木千山天遠(yuǎn)大，澄江一道月分明?！?/span>

“無(wú)邊落木蕭蕭下，不盡長(zhǎng)江滾滾來(lái)?！?/span>

“四年風(fēng)露侵游子，十月江湖吐亂洲?！?/span>

“登臨吳蜀橫分地，徙倚湖山欲暮時(shí)?！?/span>

“天地涵容百川入，晨昏浮動(dòng)兩潮來(lái)?！?/span>

“江流天地外，山色有無(wú)中?！?/span>

“郡邑浮前浦，波瀾動(dòng)遠(yuǎn)空?！?/span>

“吳楚東南坼，乾坤日夜浮。”

“氣蒸雲(yún)夢(mèng)澤，波撼岳陽(yáng)城。”

“山隨平野盡，江入大荒流?！?/span>

“星垂平野闊，月湧大江流?！?/span>

“水於天下實(shí)至險(xiǎn)，山亦起伏爲(wèi)波濤?！?/span>

“五更鼓角聲悲壯，三峽星河影動(dòng)搖?！?/span>

“江間波浪兼天涌，塞上風(fēng)雲(yún)接地陰?！?/span>

“廬山南墮當(dāng)書(shū)案，湓水東來(lái)入酒巵?！?/span>

“天外黑風(fēng)吹海立，浙東飛雨過(guò)江來(lái)。”

“江聲不盡英雄恨，天意無(wú)私草木秋。”

“江神河伯兩醯雞，海若東來(lái)氣吐霓。安得夫差水犀手，三千強(qiáng)弩射潮低?！?/span>

“有如兔走鷹隼落，駿馬下注千丈坡。斷絃離柱箭脫手，飛電過(guò)隙珠翻荷?！?/span>

“枕中雲(yún)氣千峰近，牀底松聲萬(wàn)壑哀。要看銀山拍天浪，開(kāi)窗放入大江來(lái)?！?/span>

“疾如萬(wàn)騎千里來(lái)，氣壓三江五湖上?！?/span>

8.

“催成客睡須春酒，老卻梅花是曉風(fēng)?！?/span>

“梅花不是人間白，日色爭(zhēng)如酒面紅?！?/span>

“客子光陰詩(shī)卷裏，杏花消息雨聲中?！?/span>

“寒食清明驚客意，暖風(fēng)遲日醉梨花?！?/span>

“勸君年少莫游春，暖風(fēng)遲日濃於酒?！?/span>

“春入四支濃似酒，風(fēng)吹孤夢(mèng)亂如雲(yún)?！?/span>

“客來(lái)夢(mèng)覺(jué)知何處，掛起西窗浪接天。

“半記不記夢(mèng)覺(jué)後，似愁無(wú)愁情倦時(shí)。”

“窺人鳥(niǎo)喚悠飏夢(mèng)，隔水山供宛轉(zhuǎn)愁?！?/span>

“夢(mèng)魂慣得無(wú)拘檢，又踏楊花過(guò)謝橋。”

“一春夢(mèng)雨常飄瓦，盡日靈風(fēng)不滿旗?！?/span>

“遠(yuǎn)路應(yīng)悲春晼晚，殘宵猶得夢(mèng)依稀?！?/span>

“夢(mèng)為遠(yuǎn)別啼難喚，書(shū)被催成墨未濃?！?/span>

“歌中醉倒誰(shuí)能恨，唱罷歸來(lái)酒未消?！?/span>

“我亦且如常日醉，莫教絃管作離聲?！?/span>

“星沉海底當(dāng)窗見(jiàn)，雨過(guò)河源隔座看?！?/span>

“天河夜轉(zhuǎn)漂迴星，銀浦流雲(yún)學(xué)水聲?！?/span>

“朝元閣上西風(fēng)急，都入長(zhǎng)楊作雨聲?！?/span>

“春風(fēng)無(wú)限瀟湘意，欲採(cǎi)蘋(píng)花不自由?！?/span>

“幾度木蘭舟上望，不知原是此花身。”

“紙上偶然留指爪，鴻飛那復(fù)計(jì)東西?！?/span>

“度數(shù)形名本偶然，破琴今有十三絃?！?/span>

“此身何物不堪為，逆旅浮雲(yún)自不知。偶見(jiàn)一張閑故紙，便疑身是永禪師。”

    我做的題目是“詩(shī)與世界”下面的“寫(xiě)物之功”，本來(lái)翻書(shū)是搜這一類的，誰(shuí)知看了一歇就跑馬了，作業(yè)反倒還沒(méi)寫(xiě)一個(gè)字……呃，不過(guò)上面摘抄的還是寫(xiě)物居多。——竊以為宋人詩(shī)其實(shí)是很悶騷的，一樣的嫵媚風(fēng)流啊～再呢用詩(shī)開(kāi)玩笑也不是什么壞事，干嗎都一個(gè)抒情的調(diào)調(diào)……不過(guò)我看得還太少，只有一些粗略的印象……

    唉，佳句百讀不厭。